I am a choreographer, writer, and researcher working at the intersection of movement, language, and philosophy. My practice explores the body as a site of resistance, transmission, and transformation. Rooted in contemporary dance, my work is equally informed by poetic inquiry, political thought, and affective experience.

Through an embodied studio practice, I generate performances and texts that are both somatic and conceptual—forms of knowledge that emerge from the body and return to it. Writing, for me, is not separate from choreography; it is a kind of moving philosophy, composed through sensation, rhythm, and relation. My work often investigates the social and emotional labor embedded in the body, challenging dominant narratives of productivity, care, and control.

In both my writing and performance work, I am drawn to what is unruly, porous, or in excess: noise, rupture, breath, stillness. I experiment with forms that resist closure and certainty, aiming instead to create openings—places where readers, viewers, and movers can encounter their own embodied knowledge.

I recently completed a PhD in dance, politics, and affect, where I developed a practice-based concept called Kinesthetic Strike—a mode of embodied refusal and rewilding. I am now in the process of turning this research into a hybrid book of poetic philosophy and movement theory. I also write commissioned performance texts and companion essays for dance artists and companies.

My work moves across disciplines, but remains grounded in one central commitment: to create from the body, and to write in ways that move others toward liberation, depth, and connection.